Arts | Free Full-Text | An Aesthetic Pattern of Nonbelonging—Immigration and Identity in Contemporary Israeli Art | HTML
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A Companion to Contemporary Art Since 1945 - Google Books
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Arts | Free Full-Text | An Aesthetic Pattern of Nonbelonging—Immigration and Identity in Contemporary Israeli Art | HTML
Art after Duchamp: The “Tarted-Up” Readymades of Sherrie Levine and Meret Oppenheim | by Erin Havens | Medium
A Companion to Contemporary Art since 1945 by Amelia Jones
Arts | Free Full-Text | An Aesthetic Pattern of Nonbelonging—Immigration and Identity in Contemporary Israeli Art | HTML
A Companion to Contemporary Art since 1945 by Amelia Jones
The Feminism and Visual Culture Reader - 2nd Edition - Amelia Jones -
Arts | Free Full-Text | An Aesthetic Pattern of Nonbelonging—Immigration and Identity in Contemporary Israeli Art | HTML
Arts | Free Full-Text | An Aesthetic Pattern of Nonbelonging—Immigration and Identity in Contemporary Israeli Art | HTML
A Companion to Contemporary Art Since 1945 | Wiley
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PDF) Amelia Jones (ed.) A Companion to Contemporary Art Since 1940 | Patricia Mayayo - Academia.edu
A Companion to Contemporary Art Since 1945 - Google Books
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The Feminism and Visual Culture Reader - 2nd Edition - Amelia Jones -
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Arts | Free Full-Text | An Aesthetic Pattern of Nonbelonging—Immigration and Identity in Contemporary Israeli Art | HTML
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Arts | Free Full-Text | An Aesthetic Pattern of Nonbelonging—Immigration and Identity in Contemporary Israeli Art | HTML
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A Companion to Contemporary Art Since 1945: Jones, Amelia, Arnold, Dana: 9781405135429: Amazon.com: Books
